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About the Author: Anatole France

Awarded the Nobel Prize in Literature in 1921 "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament."

Anatole France began his career as a poet and a journalist. In 1869, Le Parnasse Contemporain published one of his poems, La Part de Madeleine. In 1875, he sat on the committee which was in charge of the third Parnasse Contemporain compilation. He moved Paul Verlaine and Mallarmé aside of this Parnasse. As a journalist, from 1867, he wrote a lot of articles and notices. He became famous with the novel Le Crime de Sylvestre Bonnard (1881). Its protagonist, skeptical old scholar Sylvester Bonnard, embodied France's own personality. The novel was praised for its elegant prose and won him a prize from the French Academy. In La Rotisserie de la Reine Pedauque (1893) Anatole France ridiculed belief in the occult; and in Les Opinions de Jerome Coignard (1893), France captured the atmosphere of the fin de siècle.
He was elected to the Académie française in 1896.
France took an important part in the Dreyfus Affair. He signed Emile Zola's manifesto supporting Dreyfus, a Jewish army officer who had been falsely convicted of espionage. France wrote about the affair in his 1901 novel Monsieur Bergeret.
France's later works include L'Île des Pingouins (1908) which satirizes human nature by depicting the transformation of penguins into humans - after the animals have been baptized in error by the nearsighted Abbot Mael. La Revolte des Anges (1914) is often considered France's most profound novel. It tells the story of Arcade, the guardian angel of Maurice d'Esparvieu. Arcade falls in love, joins the revolutionary movement of angels, and towards the end realizes that the overthrow of God is meaningless unless "in ourselves and in ourselves alone we attack and destroy Ialdabaoth."
He was awarded the Nobel Prize in 1921. He died in 1924 and is buried in the Neuilly-sur-Seine community cemetery near Paris.
In 1922, France's entire works were put on the Index Librorum Prohibitorum (Prohibited Books Index) of the Roman Catholic Church.[2:] This Index was abolished in 1966.


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Goodreads rating: 3.74

Paperback, Published in Jan 1970 by Barril y Barral Editores

ISBN10: | ISBN13: 9788493770709

Page count: 235

«Cuando era joven, intentaba orientarme en el mundo que se precipitaba hacia el abismo de una dictadura cuya realidad concreta no había sido prevista, ni querida, ni imaginada por nadie, y menos aún por aquellos que habían deseado y aclamado su advenimiento: el único libro que entonces fue capaz de decirme algo lúcido sobre ese mundo desconocido fue Los dioses tienen sed.
Gamelin tal vez sea el primer retrato literario de un “artista comprometido”. No obstante, lo que me cautivó de la novela de France no fue la denuncia de Gamelin, sino el misterio de Gamelin. Digo “misterio” porque ese hombre, que terminó por enviar a decenas de personas a la guillotina, habría sido sin duda, en otra época, un amable vecino, un buen compañero y un artista dotado. ¿Cómo puede un hombre indiscutiblemente honesto llevar oculto a un monstruo?
El novelista no escribió su novela para condenar la Revolución, sino para examinar el misterio de sus actores, y con éste otros misterios, el misterio de lo cómico que se desliza por entre los horrores, el misterio del aburrimiento que acompaña los dramas, el misterio del corazón que disfruta con cabezas cortadas, el misterio del humor como último refugio de lo humano…»
Fragmento de Un encuentro, de Milan Kundera

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