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About the Author: Gary Snyder

Gary Snyder is an American poet (originally, often associated with the Beat Generation), essayist, lecturer, and environmental activist. Snyder is a winner of a Pulitzer Prize for Poetry. Since the 1970s, he has frequently been described as the 'laureate of Deep Ecology'. From the 1950s on, he has published travel-journals and essays from time to time. His work in his various roles reflects his immersion in both Buddhist spirituality and nature. Snyder has also translated literature into English from ancient Chinese and modern Japanese. As a social critic, Snyder has much in common with Lewis Mumford, Aldous Huxley, Karl Hess, Aldo Leopold, and Karl Polanyi. Snyder was for many years on the faculty of the University of California, Davis, and for a time served on the California Arts Council.

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Gary Snyder. (2007, October 19). In Wikipedia, The Free Encyclopedia. Retrieved 21:36, October 19, 2007, from http://en.wikipedia.org/w/index.php?t...


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Notes and Memoirs on Nature and History in East Asia by

Goodreads rating: 3.79

Hardcover, Published in May 2016 by Counterpoint

ISBN10: 1619025698 | ISBN13: 9781619025691

Page count: 208

For the full course of his remarkable career, Gary Snyder has continued his study of East Asian culture and philosophies. From the Ainu to the Mongols, from Hokkaido to Okinawa, from the landscapes of China to the backcountry of contemporary Japan, from the temples of Daitokoji to the Yellow River Valley, it is now clear how this work has influenced his poetry, his stance as an environmental and political activist, and his long practice of Zen. Growing up in the Pacific Northwest, Asia became a vocation for Snyder. While most American writers looked to the capitals of Europe for their inspiration, Snyder looked west to the East. American letters is profoundly indebted to this geographical choice.

Long rumored to exist, The Great Clod collects several published in The Coevolution Quarterly almost forty years ago when Snyder briefly described this work as “The China Book,” and several others, the majority, never before published in any form. “Summer in Hokkaido,” “Wild in China,” “Ink and Charcoal,” “Wolf-Hair Brush,” these essays turn from being memoirs of travel to prolonged considerations of art, culture, natural history and religion. It is filled with Snyder’s remarkable insights and briskly beautiful descriptions.

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