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About the Author: Walter Isaacson

Walter Isaacson, the CEO of the Aspen Institute, has been chairman of CNN and the managing editor of "Time" magazine. He is the author of "Steve Jobs"; "Einstein: His Life and Universe"; "Benjamin Franklin: An American Life"; and "Kissinger: A Biography," and the coauthor of "The Wise Men: Six Friends and the World They Made." He lives in Washington, DC.


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Find the best price forLeonardo da Vinci

Goodreads rating: 4.09

Hardcover, Published in Oct 2017 by Simon Schuster

ISBN10: 1501139150 | ISBN13: 9781501139154

Page count: 624

"A powerful story of an exhilarating mind and life....the book is a study in creativity: how to define it, how to achieve it."—The New Yorker

“Majestic . . . Enthralling, masterful, and passionate.”—Kirkus Reviews (starred review)

“A monumental tribute to a titanic figure.”—Publishers Weekly (starred review)

He was history’s most creative genius. What secrets can he teach us?

The author of the acclaimed bestsellers Steve Jobs, Einstein, and Benjamin Franklin brings Leonardo da Vinci to life in this exciting new biography.

Based on thousands of pages from Leonardo’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy.

He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius.

His creativity, like that of other great innovators, came from having wide-ranging passions. He peeled flesh off the faces of cadavers, drew the muscles that move the lips, and then painted history’s most memorable smile. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. Isaacson also describes how Leonardo’s lifelong enthusiasm for staging theatrical productions informed his paintings and inventions.

Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance of instilling, both in ourselves and our children, not just received knowledge but a willingness to question it—to be imaginative and, like talented misfits and rebels in any era, to think different.

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