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About the Author: Selena Kitt

Selena Kitt is a NEW YORK TIMES bestselling and award-winning author of erotic and romance fiction. She is one of the highest selling erotic writers in the business with over two million books sold!

Her writing embodies everything from the spicy to the scandalous, but watch out-this kitty also has sharp claws and her stories often include intriguing edges and twists that take readers to new, thought-provoking depths.

When she’s not pawing away at her keyboard, Selena runs an innovative publishing company (www.excessica.com) and bookstore (www.excitica.com), as well as two erotica and erotic romance promotion companies (www.excitesteam.com and www.excitespice.com) and is now head of the Erotica Readers and Writers Association (www.erotica-readers.com).

Her books EcoErotica (2009), The Real Mother Goose (2010) and Heidi and the Kaiser (2011) were all Epic Award Finalists. Her only gay male romance, Second Chance, won the Epic Award in Erotica in 2011. Her story, Connections, was one of the runners-up for the 2006 Rauxa Prize, given annually to an erotic short story of “exceptional literary quality.”

She can be reached on her website at www.selenakitt.com


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Goodreads rating: 3.31

Paperback, Published in Dec 2011 by Createspace Independent Publishing Platform

ISBN10: 1468027654 | ISBN13: 9781468027655

Page count: 138

Every erotica writer will some day face the question, "Did that really happen?" The thought that there might be a glimmer of truth behind the fiction seems more titilating in erotica than any other genre. The truth is, most mystery writers have never experienced anything like a real murder, but almost all erotica writers have presumably had sex, and have certainly been shaped by early experiences. In light of that, what is contained here is a series of short scenes titled "Confessions"-because that's just what they are, a few of the true stories that shaped my own sexual being. Are they all completely factual?

I don't know if a fiction writer ever writes anything that is ever completely fact. Even when we're journaling, we're not journalists, after all. Nor are we poets. Fiction writers tell stories, we elaborate, we give the truth "scope." So while I will say that most, if not all, of these stories did, indeed, happen, in some sense of the word-I have certainly, as most writers do, taken liberties, and changed names to protect the innocent. Or not so innocent.

But these are my confessions, told in the same, secret whisper I might tell them to you if we were alone, sharing the heat of memory in the dark.

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