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About the Author: Niccolò Tommaseo

Born at Sebenico (Å ibenik), which was in quick succession under Venetian, Napoleonic and Habsburg domain, Tommaseo was culturally and ethnically Italian, but expressed also genuine interest in the Illyrian popular culture. His education, pursued at Split/Spalato, was a humanistic one with a sound Catholic basis.

He moved to Italy to graduate in law at the University of Padua in 1822. He then spent several years as a journalist roving between Padua and Milan, where he came in contact with Alessandro Manzoni and Antonio Rosmini-Serbati. In this period of life he began his collaboration in the Antologia of Giovan Pietro Vieusseux, founder of the Gabinetto Vieusseux, the reading room and intellectual centre in Florence. He also corresponded with Petar II Petrović Njegoš of Montenegro and Medo Pucić.

Having moved to Florence in the autumn of 1827, he became a friend of Gino Capponi and soon became one of the important voices in the Antologia. In 1830 appeared the Nuovo Dizionario de' Sinonimi della lingua italiana which confirmed his public reputation. Following the protests of the Austrian government against an article defending the Greek revolution that resulted in the closure of the journal in which he was publishing, he sought voluntary exile in Paris.

During his years in Paris he published the political work Dell'Italia (1835), the volume of verses, Confessioni (1836), the historical fiction Il Duca di Atene[1] (1837), a commentary on the Divine Comedy[2] (1837), and his Memorie Poetiche (1838).

From Paris he moved to Corsica, where with the support and collaboration of the magistrate and essayist of Bastia, Salvatore Viale, he worked to compile the copious Italian oral traditions of the island, where he claimed to find the purest Italian dialect in the book Canti populari: Canti Corsi.[3]

In Venice he published the first two installments of his novel Fede e Bellezza, praised today as an early example of the psychological novel. His anthology of popular songs, Canti popolari italiani, corsi, illirici, greci (1841) and the Scintille/Iskrice (1842) are rare examples of a metropolitan culture above nationalism.

In 1847 he returned to the journalistic forum, and as an outspoken defender of liberalizing laws for a wholly free press was arrested, causing a scandal: he was freed during the liberal revolution headed by Daniele Manin and assumed responsibilities in the briefly renewed Venetian Republic, which cost him an exile (because accused of Italian irredentist) in Corfù when Habsburg control was reasserted over Lombardy-Venetia. In Corfù, with his eyesight failing, he nevertheless managed to write numerous essays, among which, in Rome et le monde[4] (written in French), he declared, as a good Catholic, the necessity of the Church's relinquishing temporal power in the Papal States. In this time he abandoned his hopes for the "moderate" road to the Unification of Italy through the House of Savoy.

In 1854, with his sight ever more compromised, he moved to Turin (1854), then once again to Florence (1859), where he took a villa at Settignano. His opposition to the House of Savoy made him refuse all honours, including a seat in the Senate. In his final years he devoted himself to the weighty dictionary of the Italian language, in seven volumes, which was completed in 1874, after his death.

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Paperback, Published in Aug 2016 by Forgotten Books

ISBN10: 1333164629 | ISBN13: 9781333164621

Page count: 202

Excerpt from Fede e Bellezza
Oh sconosciuta al mondo, oh maraviglia degli angioli e di me, perche la fronte chini al suol conturbata? In Dio rimira.
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