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About the Author: D.H. Lawrence

David Herbert Richards Lawrence was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct.

Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature, although some feminists object to the attitudes toward women and sexuality found in his works.
http://en.wikipedia.org/wiki/D.H._Law...


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Goodreads rating: 3.45

Paperback, Published in Mar 2004 by Wildside Press

ISBN10: 0809593831 | ISBN13: 9780809593835

Page count: 236

David Herbert Richards Lawrence's collected works, among other things, represent an extended reflection upon the dehumanizing effects of modernity and industrialization. In them, some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. "At any rate," she said, scolding in tones too naked with love, I don't like it." _"Go on from Allegro,"_ said Helena, pointing with her bow to the place on Louisa's score of the Mozart sonata. Louisa obediently took the chords, and the music continued. A young man, reclining in one of the wicker armchairs by the fire, turned luxuriously from the girls to watch the flames poise and dance with the music. He was evidently at his ease, yet he seemed a stranger in the room.

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