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About the Author: Francis Spufford

Spufford began as a writer of non-fiction, though always with a strong element of story-telling. Among his early books are I May Be Some Time, The Child That Books Built, and Backroom Boys. He has also edited two volumes of polar literature. But beginning in 2010 with Red Plenty, which explored the Soviet Union around the time of Sputnik using a mixture of fiction and history, he has been drawing steadily closer and closer to writing novels, and after a slight detour into religious controversy with Unapologetic, arrived definitely at fiction in 2016 with Golden Hill. He has been long listed or shortlisted for prizes for writing about history, science, politics, theology and 'the spirit of place'. Spufford studied English at Cambridge University. He was a Royal Literary Fund fellow at Anglia Ruskin University from 2005 to 2007, and since 2008 has taught at Goldsmiths College in London on the MA in Creative and Life Writing there.


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Goodreads rating: 4.04

Hardcover, Published in Jun 2016 by Faber & Faber

ISBN10: 0571225195 | ISBN13: 9780571225194

Page count: 344

New York, a small town on the tip of Manhattan island, 1746.

One rainy evening in November, a handsome young stranger fresh off the boat pitches up at a counting-house door in Golden Hill Street: this is Mr Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.

Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?

As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.

This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundreds yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.

Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.

Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.

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