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About the Author: P.G. Wodehouse

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.

An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.

Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).


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Goodreads rating: 4.05

Paperback, Published in Oct 2008 by Arrow

ISBN10: 0099514133 | ISBN13: 9780099514138

Page count: 284

Lady Maud, the spirited young daughter of the Earl of Marshmoreton, is confined to her home, Belpher Castle in Hampshire, under aunt's orders because of an unfortunate infatuation. Enter our hero, George Bevan, an American who writes songs for musicals and is so smitten with Maud that he descends on Hampshire's rolling acres to see off his rival and claim her heart. Meanwhile, in the great Wodehousian tradition, the Earl of Marshmoreton just wants a quiet life pottering in his garden, supported by his portly butler Keggs and free from the demands of his bossy sister and his silly-ass son.

In a sunny story which involves chorus-girls, the theatre and a ball at a castle during a two-week house-party, Wodehouse deftly unties all the knots which he had so cleverly tied around his characters in the first place.

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