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About the Author: Philipp Meyer

Philipp Meyer's novel, American Rust, was an Economist Book of the Year, a Washington Post Top Ten Book of 2009, a New York Times Notable Book, A Kansas City Star Top 100 Book of 2009, and an Amazon Top 100 Book of 2009.

Philipp Meyer grew up in Baltimore, dropped out of high school, and got his GED when he was sixteen. After spending several years working as a bike mechanic and volunteering at a trauma center in downtown Baltimore, he attended Cornell University, where he studied English. Since graduating, Meyer has worked as a derivatives trader at UBS, a construction worker, and an EMT, among other jobs. His writing has been published in McSweeney's, The United States of McSweeney's, The Best of McSweeney's 11-20, Esquire UK, The Iowa Review, The Independent (UK), Salon.com, and New Stories from the South. From 2005 to 2008 Meyer was a fellow at the Michener Center for Writers in Austin, Texas. He splits his time between Texas and upstate New York.


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Goodreads rating: 3.98

Paperback, Published in Jan 2014 by Ecco

ISBN10: 0062120409 | ISBN13: 9780062120403

Page count: 592

Soon to be a TV Series on AMC starring Pierce Brosnan and co-written by Philipp Meyer.

Now in paperback, the critically acclaimed, New York Times bestselling epic, a saga of land, blood, and power that follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century.


Part epic of Texas, part classic coming-of-age story, part unflinching examination of the bloody price of power, The Son is a gripping and utterly transporting novel that maps the legacy of violence in the American west with rare emotional acuity, even as it presents an intimate portrait of one family across two centuries.

Eli McCullough is just twelve-years-old when a marauding band of Comanche storm his Texas homestead and brutally murder his mother and sister, taking him as a captive. Despite their torture and cruelty, Eli--against all odds--adapts to life with the Comanche, learning their ways, their language, taking on a new name, finding a place as the adopted son of the chief of the band, and fighting their wars against not only other Indians, but white men, too-complicating his sense of loyalty, his promised vengeance, and his very understanding of self. But when disease, starvation, and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized or fully wild.

Deftly interweaving Eli’s story with those of his son, Peter, and his great-granddaughter, JA, The Son deftly explores the legacy of Eli’s ruthlessness, his drive to power, and his life-long status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege.

Harrowing, panoramic, and deeply evocative, The Son is a fully realized masterwork in the greatest tradition of the American canon-an unforgettable novel that combines the narrative prowess of Larry McMurtry with the knife edge sharpness of Cormac McCarthy.

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